aestheticsmag:

aesthetics

aestheticsmag:

aesthetics

(via dijamantilete)

blackfashion:

instagram :Classicb0y #babe
Ola, 19, Philly.

blackfashion:

instagram :Classicb0y #babe

Ola, 19, Philly.

the feels!!! perfection ands its a cover..

(Source: Spotify)

misslesego:

dynamicafrica:

Xhosa Names & Meanings: The “ABC’s of Xhosa Names” by Thandiwe Tshabalala.

South African Illustrator and incredibly talented young creative Thandiwe Tshabalala recently sent me these awesome gifs highlighting and celebrating beautiful names in her mother tongue of Xhosa.

Here’s what she had to say about her series:

"Way back, when apartheid was taking place in South Africa, parents used to give their kids English names so that white people wouldn’t have to struggle pronouncing African names. Most people born during the times of apartheid were given names like: Knowledge, Margaret, Mavis (which has negative connotations), Innocentia, Innocent, Jeffrey, Gloria…eek..Let me just stop there. However, when black folks got their ‘freedom’ back, they went back to naming their children African/South African names."

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All Africa, All the time.

I love this.

blacknaturals:

♕ dynamite

blacknaturals:

♕ dynamite

(via myblacksexuality)

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king-emare:

vmagazine:

Jamel Shabazz: Street Photographer

Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / / 3

As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]

©jamel shabazz.all rights reserved

I wish

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(Source: kaisa-badwolf, via illikaspain)

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